Sinfully tempted

I sinned
like the faithful standing
at the foot of confession chamber

I sinned
like a melody distorted
through an amp and a loop

I sinned
like a googled name
wished to spring live from webpage

I sinned
like holding hands
lingering beyond an innocent navigation

I sinned
like being tempted
with a promising kiss

I sinned
like being swept away
to Alister Crowley's magical lair

I sinnned
like familiarising with
all that makes me Zedekiah.

Arabic Sojourn

On the Sheikh Zayed Road

find more photos on picasa

SO you're headed to Dubai for shopping is it? Electronics and gold? Beware of the customs," our wary and suspicious friends had interrogated before we (my Punjabi family & I ) boarded the Air India flight bound to the city of Middle East mysticism and commercial capitalism. True. We were headed to upgrade the wardrobe and the locker with new Dubai rich gold.

But the arrival gate at Dubai International Airport offered sights, sounds and smells that made a solemn promise of serving a great concoct of urban Arabic culture curry. The Namaz was being recited and miles away from the heart of the city, the distant voices from a mosque nearby was welcoming one to the United Arab Emirates. This virgin tune in Dubai would re-visit periodically for the next 10 days through malls, hotels, road-side cafes, SUVs, safari, art fair, the derby world cup, museum visits, trial rooms, rest rooms, clubs, dhow ride, at foot of the tallest building in the world and the place we called home in the Indian neighbourhood of Bur Dubai.

'

Situated in the heart of the free port, Bur Dubai, is as much a tourist touchdown hotel spot as it is for the brown immigrants who made their home in Dubai in the early seventies. The surrounding areas of Al Karama and Al Maraha with its distinct Lebanese, Indian, Chinese and Mexican aromas rising through market corners and squares makes one feel at home on the foreign port. A row of houses lined in bricks and mortar that make for cubicle housing societies, each some stories high give away tell tale signs that Indians and Pakistanis inhabit it: clothes hanging in balconies. There is nothing distinctly foreign about Bur Dubai for an Indian. Not even the electronic gates or the lines of Hummers, Camry taxis or Lamborghinis. Not even the Sheiks on duty speaking crisp Hindi while in their flowing white Kandhuras.

Visiting relatives and borrowing their Toyota Camry, we drove out of Bur Dubai, which is also home to Dubai's only source of history, the Dubai Museum placed next to mud walled art galleries in the square of the trader's textile market, we drove onto the grand Sheikh Zayed road. Wide-laned, spacious, weighed under mutli-storied, multi-angular-shaped, tall glass skyscrapers (some still under construction)…the highway that links all of Dubai to the other emirates, is as royally proud and grand as the former ruler it's named after. All along the expansive highway, besides the grinding breaks and accelerating engine noise of the latest models of four wheelers on the road, the uniquely coloured tiles making way for the underpasses, the faces of the royal family plastered along the highway at brief intervals that truly made you feel a part of the middle east.

The angry looking Sheikh Mohammed bin Rashid bin Saeed Al-Maktoum, his young son Sheikh Hamdan Bin-Mohammed Bin-Rashid Al Maktoum and endearing daughter Princess Nada escorted you, probably guiding you to their majestic commercial empire.

They say Dubai is the commercial capital of the Middle east thanks to his endeavours, with the maximum numbers of cranes in the world and also the prospective tallest building in the world, the Burj. The bearded man in the East is rising and fast.

On the way to Jumeriah, home to Dubai's poshest sheikhs and global businessman, the villas start crowding the streets and lanes. Texan in size and crisp Persian in architecture…each home is a miniature palace complete with Golden horses, lush greens and ingenious fountains welcoming the cloaked fortress in the distance. And then luxury in its finest. The only approachable fortress to mere mortals. The Madinat Jumeirah, that vouches for European splendour. Dubai's grandest hotel, Madinat is Venice in fortress, completer with a Gandola, cobbled pathways and riverside rooms. Beisdes being the Sheikh's former favourite home away from home (before the truly ostentatious Burj Al Arab came up, the seven star hotel in the sea that needs you to shell out 350 Dirhams to grace the lobby), it was also this year's venue for Dubai Art 2008, Asia's biggest art fair that had showing from 150 galleries around the world. The artists got richer as Indian and Pakistani art flew off the walls. This was the year when Rana Rashid, Sundaram Tagore and Bose Krishnamachari were talked about in the hallways of Dubai's rich and finest. And while all this took place in the lobby of the hotel, a tired Pakistani crane operator took a nap, wearing his kurta pyjama, on the wheel of a machine. Dubai is a city of contrasts and the social disparity made for a great culture calling.

The remaining days passed in a murmur of more hotel and some great mall visits and one got a glimpse of good oil money put to some grand use. From the rainforest lobby created under the Hull of a ship at the Hyatt, the Arabic Starbucks at the Ibn-Batuta Mall with its Egyptian and Tunisians courts, the ski village at the Mall of Emirates as the outside March heat sore to 38 degrees and the customary visit to the Gold Souk market, where gold ornaments, jewellery and wares are sold in street shops

Of course the dessert safari had to follow near the Oman border. The day-long dune bashing, sand surfing and kababs, sheesha and belly dancing in the dessert oasis camp in the middle of the barren brown sea once out of the Hummer, our choice of dune bashing vehicle, we watched the sun drown in the expansive wasteland. Watching the voluptuous belly dancer entrance the audience, and our Syrian driver Nabeel who roasted kababs and rolled them into pita bread for us and the small box that seated the higher Kandhura clad Arabs…we feared. Feared of the Sheiks who were reclaiming wastelands and turning them into homes for the rich, feared the grandeur that would consume Persia, feared the power and the unsaid discrimination that separated the elite from the immigrant, the oil, the media, the wealth and the Burj.

The day next, we drove to Abu Dhabi on the East and took a ride on the sea side, Corniche to take in the richness and bow down to the massive flag that marked our presence beneath the richest emirate. Sharjah, in the west and Ajman further housed the labour force from the Indian subcontinent that has put their sweat and blood into making Dubai, the Switzerland of the East. I wondered again, are these people who made Shah Jahan's Taj Mahal for him. The slums of the emirates has many diamond shiners. The Mughal empire we lost probably resides in UAE. And it is making the new eight wonder of the world…Dubai.

A prose to be Go(o)d

What do you say when someone asks you, do you have faith? One could easily curl up a lip, slit out a shrieky and aghast cry, 'of course! I do.' Most people would do that. I would do that to. But this one occassion made me doubt my answer. Before the sub-consciously conditioned response neared my lips, the thought dissolved before it even rose from my throat. Fact is, I'd be lying in saying I had faith. I had none.

Growing up in a middle class Punjabi household, to liberal yet spiritual and God fearing parents, my chldhood has had uncounted visits to the Gurudwara. When I was born, when I turned a new leaf, weddings, funerals, each time a new addition was made to the family - material or man, in loss, in happiness, I turned six in the Gurudwara where all who knew of me - some familiar, some unseen and some very close faces - sat and prayed a happy life for me, complete with a royal entourage that filled the sidewalks and outer skirts of the white marbeled Sector 8 Gurudwara - the neighbourhood I grew up in. Maharaja of Patiala with his beaming begum made their presence felt as did people of prominence in Chandigarh and Malwa Punjab. I was the blessed one.

Close to about two decades later, the dome of eternal bliss sits disembled in my heart. I fear the almighty. I talk to him in my hour of need, I call out to him when in pain - self loathed or otherwise. I chant. My perfectly animated schooling in Carmel Convent, the city's most prestigious school, has instilled values of the church and the Holy Bible in me. And there was a time when I believed in a Heaven grander than this life. Even visited the corridors of a saint, who took to his thrown in all richness and splendour. The one who smelt of roses, granted invisible rosy trailed darshans and was royally driven in a bee line of never-ending cars.

The path of self righteousness and moral science has created a laboratory in my being. Till I learnt how to distance myself from the temple and God. I questioned doubted everything. The need to be independant, alone and somewhat materialistic, I confess, made the concept of worship uncool. When it happened or why I did it, I honestly don't remember. But I know it flew from me. I'd love to say the spirit of God hushed and quitened. That would be erronous. To quiten would be to lower the volume and let whispers slowly creep into your ear. I simply turned the switch off. I silenced him. His will in me dimmed. It was as if someone reached out and pulled the plug of the universe for black night to creep. Just... And I sinned.

Some years later, I find a new restlessness. Years have passed and this noise rings in my ear often. Visions pass the iris of my eye every now and then and I have this newfound need to drink in the sights and sounds. I have become spongebob, applogies to the Nickelodeon patent. There are words on a passing truck, visions on a tattoo on the back of a friend, whispers of chanting in the distance - sometimes I feel I am hearing them out of memory, in the motions of the clouds on a dreary sky, on the traces of leaves made on a lazy mid afternoon from the bedroom window, from amongst the theros of people clanking their religious instruments from a passing train, hidden in songs you've heard all your life and now are astutely aware of, in clubs, late night drives and movie halls ripped through the hands of a DJ or music designer, in books and stories that now line the racks of my house, in the eyes, lips, fingers, rings, chains of people on the trains, taxis and roads. And on visits and travels to distant lands that brings back floods of azaan (The Middle East), sunday mass (Venezualla) and even morning martial arts (Kerala).

I feel I'm returning to the seed of my existence and have learnt through the traumas and joyous moments that perspective is a luxury when your head is constantly buzzing with a swarm of demons. And I wonder, if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night. This is my call from a bedroom on a second floor of a heated pyxexia, located somehwere in a Christian society of suburban Mumbai. Thank you Nana. I know it is you with me.

Faith

Intensity crept upon
in the early throes of dawn.
That vivid scent of fresh rosesand sweet, yet varied taste
of jujubes covered my enflamed throat.

A couple months whispered through
the morning hours like that
of a hummingbird in search of it's nectar.

Delicate growth stunted to enslave
high noon as hawks soared
in the brightest, eye-catching sun,
while the lowly praying mantis lie
still in grace's preparation, apropos.

The afternoon glided on slippery
wings of prey, as nested fledgling
feasted on imaginary nipples anda
pathetic progression through
love's blinded eye.

As night preened itself and
the moon lit the sky like
a pale beacon of hope, our paths
split in misinterpreted glows of existence,
a clash of thunder and lightning scraped
across the sky as rain drenched truth and
escape became inevitable behind huge pixilated dots;

panned out, the picture, descriptive ...

I loved intense and fell intense,
yet death did not come, as
descent of the moon to horizon;
bewilderment excites possibilities
in charred chasms of warmth and direction.

Like the wandering hummingbird,
my incapability to stand still
in confidence, burden's the
praying mantis and beckons
paranoia when threatened
by aromatic flower petals
curling up for a good night's sleep.

Goodnight my sweet,
may you wake anew
without lingered,
natural scents of me,
so we can start refreshed,
bathed in the purified
sight of fireflies,
in dusk's friendly embrace.

Morning Dirge

The morning stillness amidst a round of wide roads and rising glass towers, is sharply cut by a booming loud speaker. A hymn resonates through the square of homes around the temple. The four corners sing together in perfected harmony. The voice...steadily quivering through the glade of the rising sun. The dewdrops from the air conditioner unsteaily melt to die in a liquid with the warmth of the morning song. The sleeping mind awakes silently through a sleepy haze... Its morning. Allah has spoken. And I am in the middle east.

Marhaba

Marhaba. . .


coming soon... some more from Dubai

Avial and tandoori chicken - on the beach

Zero is my favourite number. The oval, pot bellied, doodle is not only a much relatable figure (ah! the only to familiar battle with the bulge) but also a great value addition. While I constanly forgot the number of zeros my hundreds had in my wallet, I managed to survive a whole month of food hunting on a distant land by turning fingers into peepholes and creatiing imaginary zero-shaped outlines in mid-air in the most remotest parts of Kerala. Appam, Idiyappam and Puttu with rasam was my daily dietry addition and in God's Own Country, which in non-Mallu lingo was the shape of zero. My assignment was simple. A lazy travelogue of the back waters and lagoons of the pristine, serene and crystal waterred moss of Kettuvalloms that were to become my home and caprture the rapture of Kovallam, Veli, Alumkadavu, Cochin, Calicut.

That was the plan...

But as coconuts and rice pancakes can leave an unfamiliar taste, so did my slight diversion to explore Kalaripayattu. The martial arts tribe seemed to be more stimulating than an ayurvedic massage. A chance meeting with a mystic, Arrayappa Devasthanam Kutty got me in hot pursuit. Over rasam and pappad, he told me about this place in central Kerala that have year long camps of martial art training. I don't know if it was the colour of his eyes (black pebbled) or the passion of his speech (crisply accented English) or the mention of some Mangalorian cuisine his Carnatic singer wife can throw up. I took directions, addresses and stocked up on banana chips (gestation: my first lil black book) and headed for Thrissur to explore some Kutty woven magic - a Kalari and some brave Kerala stories. Oh did I mention? Kalaris, traditionally are supposed to be the most desriable menfolk especially for out-of-town distant curious women...or as I would like to believe.

What was to follow was ten days of a dstrict safari through Thrissur. The landscaped plains, the coconut breeze, the inviting sea wind made me a wandering fair coloured gyspie (well in comparison) along Aloor, Chermanangad, Kadalassery, Kodungallur, Netissery and Wadakkancheri. My unpardonable lack of Malayalam and refusal to bring a guide along, had me conversing in ways I never knew possible. Save a remote bus or two that still adhered to my use of phoren language. I found my Kalaris, but my camera refused to capture their spirit. Zero helped me through and a serving of avial at a convent in Netissery made the 1000 odd kms I traveled in four days.

Back into surburbia, familiar Mumbai and a message in the inbox, Mallu power, damn good mallu band avial playing tonight. Deja Vu? Recurrent Mallu hangover? What was this? Decided to mark attendance with good Punjabi friends. S, P, L and I sat in the upper steps of the Bandra amphitheatre and in a Mallu crowd, with Mallu rock music...Avial played. I could almost smell the convent dish...its rich, spice laden fumes and smell of coconut milk would not leave. Was I imagining this, while the lead singer sang of revolution, narrated Keralite poetics verses, spoke to an audience in full agreement with his words. Did he carry Netissery aroma with him. The amateur band and its histrionics converted the crowd. The English speaking lot started talking an almost-now-partly-decpherable lingo. What the heck? I gave in. Stood and pretended to attempt a sorry excuse at lip sync.

Then...from the distance he gazed. The perpetrator of all things - good and sensual. I should wait and talk. But this evening I left. For my tandoori chicken and paneer butter masala sensibilities, Avial overdose was gong to be as good as it gets. Only I couldnt be Jack Nicholson tonight. I bowed. In God's own country, amongst God's own men, the Kalari and now at the Avial Rock show...I found my first culture curry.

Will buy Guerilla-look alike CD cover Avial container. They rocked heavy. Not before last night, S gave earplugs to Mallu funny song - Hotel Keralafonia. Aiyo.

Antara

मैंने सोचा,
वाणी और साहस
में से किस को चुनो।
वाणी तोह मधुर है -
पर साहस तोह अनमोल है।

मैंने सोचा,
सम्मानमन और प्रेम
में से किस को चुनो।
सम्मान तोह मान है -
पर प्रेम तोह भाव है।

मैंने सोचा,
अपनापन और आज़ादी
में से किस को चुनो।
अपनापन तोह एहसास है -
पर आज़ादी से ही तोह साहस है।

Valium

A fan, a spectacle and faith redeemed

He's walking like a small child

But watch his eyes burn you away

Black holes in his golden stare

God knows he wants to go home

Children of The Damned

When was the last time you were in love? Honestly I can't remember. But I do remember the pangs of pain and sheer torment of being in his presence. Things were beautiful, so was he. I felt blessed and maybe even he. That nervous laughter, that flutterting twit, the excited energy, the shaky smile, those bright eyes...the air felt sublime with electricity. Just like the twang of an electric guitar. A beautiful rhythm, a naked riff and an incindiary bass that would seep under your skin and pull you from the inside. Besides all things, I remember most the yearning and angst of torture to possess. A deadly sin. I felt more alive than a livewire

It happened again last night...

He's walking like a dead man

If he had lived he would crucified us all

Now he's standing on his last step

He thought oblivion well it beckons us all

Children of The Damned

...at the Iron Maiden concert. Six men who walk amongst us. Six frames all under six feet. Six arms and voices that make chaos and pain seem beautiful. That is true love. My skin felt awash with goosebumps, arrested in wonder as a child whose been narrated fables. The songs they sang ripped through and through and the gyrating melodies trembled through the core of my being. Everything hit. Bruce Dickinson climbed the monitors, the stage support cranes, changed his costume and waved the British flag…narrating the tales of wisdom, debauchery, anger, pain, treachery and the devil’s tales through their mythological songs…Fear of the Dark, Trooper, 666:The Number of the Beast, Can I play with Madness and a rare treat they belted out a song they hardly play – Seven Deadly Sins on the acoustic. And when they asked "Scream for me, Mumbai." We screamed. We yelled and we sang in perfect symphony. S&N couldn't believe what they saw. With astonished faces they looked, they hugged and they sat back in amazement. Their senses were seduced and I, in a wierd sort of way, felt proud. being one amongst the crowd, I somehow still stood out. I was home and this was my country. These were my people and we all had one religion ; Iron Maiden.

Now it's burning his hands he's turning to laugh

Smiles as the flame sears his flesh

Melting his face screaming in pain

Peeling the skin from his eyes

Watch him die according to plan

He's dust on ground what did we learn

You're Children of The Damned

What hits you first is the disorderly chaos. The strident strumming of the guitar, the wash-and-wail of the bass, the drums alternating between rim shots, rolls and pile driver snare, the tambourine almost demure in comparison, keeping time…and then the glorious dramatic howls of the charismatic frontman. The impenitent tropical pyrexia now chilled with night frost, but the temperature of the crowd was rising. You would have to be a very dull person-a snob, or a sad cynic-not to enjoy this show. The sound is of symphonic scale, and of course there is the spectacle, especially here, on and off stage-the sight of fans, arms aloft, singing every word of every song. And suddenly the media moshpit at the previous days press conference came back to mind. Yes, we were fortunate to share the limelight, extract autographs, talk to them, pose with them and touch them...

Your back's against the wall

You turn into the light

You're burning in the night

You're Children of The Damned

I had been in pious company. I was touched by the Gods and faith had been redeemed. I was the child of the damned. Thanks Bruce, Steve, Janichk, Nicko, Dave and Adrian. Thanks for the irking and shuddered reminder. Love is still alive

Like candles watch them burn

Burning in the light

You'll burn again tonight

Children of The Damned

(lyrics intrerspersed from the 1982 Iron Maiden album, 'Number of the Beast' - 'Children of the Damned')

The Witch of Webstock

A magic potion, some frog legs (and heads), ashen spice, toppled red wine, a brewer's guide and the dingy pire - and the mind has alrady spread the web for the perfect conniving plot. The outcome has been lived over and over again and the satisfied Gringe-like-grin has been viewed through the fully satiated mirror.

Only the compartmentalised life has confined one to the walls of a office cubicle and the terrain for the perfect war has been constructed online. I hate to admit it, but I have turned into the online haunting witch. There are stories to be filed, assignments to run to, interviews to finish, people to be met, homes to be found, photos to be clicked, calls to be made and lives to be got. But one sits and spews out venom, spills out hatred and adorns with love the many pages of facebook and the like.

A final settlement with the Devil has still not been carried out and the sodden sorrow of not meeting those lips still lies fresh. So while I wait for the rejection to go stale and I grab onto what I know with viscious possessiveness. In the meantime, a 2B pencil found its way to me and I made use of the printing paper to give a visual to a yet again mooring self. All this while I've finally rid myself of the self-imposed chastity belt that I have been wearing around my left small finger for the longest time. It's winter (or the solemn promise of one) and I still haven't found that warming embrace all season.

But when the cribbing will stop, the frowns will disperse into princess sparkles. Only I'm enjoying the whining a lot more than I usually do. It's the perfect romance with self-indulgent misery. Fascist or narcisstic? I think its down right witchy. Recovering....still... kindly adjust.

Epiphany

Ponderings from an evening gone wrong.

Are there amends oh Father?

Universe in suspended Libido

Blue. I love the colour. I don't think I've ever mentioned this before. There's something mildly passionate about it. Like a drink passed around on street corners or that gentle kiss from suburbia that you can almost taste on your moist lips when you sit back and recount it. I saw blue again. Only this time it coloured my screen. A freak attendance at a movie screening got me face-to-face with passion. Those rare times when I dared to mix the withering promise of personal fun with a professional inuendo to be inspired, left me stranded in a universe of suspended libido.

'Across the Universe', a tale that arose from putting the Beatles revolutionary songs together took a skeptical and a lil jaded me through a trip to Neverland and back. At the time, I refused to ackowledge it. But the Beatles injected potency and the latent imagery took me through a flashback on time. Julie Taymor's ’60s musical fantasia reveals its intention to use the Beatles’ catalog to tell two stories at once, one personal, the other generational.

Pscyhedelic, carnivale, repost, art in motion, Bono, Salma Hayek, Jimi Hendrix, Janis Joplin ... if a flower culture pot broke, it'd be through the eyes of a Beatle monger. Somewhere around its midpoint, 'Across the Universe' captured my heart, and I realised that falling in love with a movie is like falling in love with another person. Imperfections, however glaring, become endearing quirks once you’ve tumbled.

A visceral peak arrived with 'Strawberry Fields Forever.' The screen turned into an artwork by 'Jude' in which rows of bleeding strawberries are pinned to a white surface transmting into a hallucination of strawberry bombs raining over Vietnam. The dreamiest reverie, set to 'Because' begins with a tableau of nine friends blissfully lying on their backs in the grass in a mandala pattern. The circle disperses as Jude and Lucy find themselves in a watery blue sky where clouds melt into liquid, and the entwined lovers are themselves floating underwater. Most fanciful of all is a largely animated sequence in which Eddie Izzard is Mr. Kite, the ringmaster of a psychedelic circus with a dancing chorus line of “the blue people.”

Amid the phantasmagoria are several star cameos. 'Happiness is a warm gun' erupted with five Salma Hayek nurses tedning to the wounds of a disillusioned soldier. Bono, acid guru, Dr. Robert, a Ken Kesey-Neal Cassady fusion sings 'I Am the Walrus' at an acid-drenched party.

When 'Helter Skelter' and 'Walrus' broke onto the screen, I wanted to grab the hand that rested next to mine. Only it was somewhere lost swimming in pop-corn.

The spirit of counterculture goes with the flow. Its scenes, songs and witty roughhouse choreography seem to be spun off from the Beatles’ movies 'A Hard Day's Night' and 'Help!' And then theatre meets art on screen when those artistic body contortions erupt suddenly as happens when you jump onto the fields... all dissolving into a stream of consciousness with only occasional punctuation. And though I stuck to my distress at my failing date of the much-planned evening, I refused to accept the visual treat and storyline of the narrative. The same way its oh-wow aesthetic refused to adopt a critical distance from the sex, drugs and rock n roll bit of the '60s.

And just like my accidental evening, the movieleaves itself wide open to derision, complaints and endless nitpicking. But it couldn’t have succeeded any other way. The movie is completely devoid of the protective cynicism that is now a reflexive response to the term “the ’60s.”

There is only one constant - love. And non-believers, cynics, bystanders can only gape and sigh. For they too long for the loving lust. For I too long for the same madenning magic that once made me feel so alive. But then again, its all Across the Univese with Jude!

PS: I am PMSing. Kindly adjust

Synonym

Depressed
Miserable
Cynical
Unhappy
Senile
Philosophical
Tragic....

Lazy.

I saw stars

My life has the perfect plot, the cast is missing. I have all these stories in my scattered head, the dreams that never came true, the side of the moon I never saw, the faith I couldn't instill, the leap I couldn't take, the life I never made. It's the slip into the beeline of butterfly existence that forever keeps me going. But it's those smiles I'm wary of faking that pull me down. I wait for epiphany to strike and it never comes to me. I seek the company that I can't stand beside to.

Kaali Peeli

This post was quite overdue and owes all allegiance to an assignment meant to discover Mumbai. The un-cut story Meter Down...


" Three months after shifting to Mumbai, I wanted to know more about the city of dreams. I found the perfect guide in Ballu Jadav, a tobacco-chewing taxi driver from Byculla. We start our journey from Lalbaug’s Chiwda Gali, driving towards Pherbunder in Byculla. “This is where I live,” he flaunts, pointing towards a patli gali.

The skinny streets lead into one of Mumbai’s many chawls. Remains from the previous day’s dahi-handi clutter the lanes. The open square laced within vertical pigeon holes houses disparity. Vegetable vendors sit in a corner, barbers in another, children chase hens and a butcher sits proudly at an end overlooking a mandir. Ballu’s voice brings me back from my stupor, “Have you seen Black Friday? The chase was shot here,” he informs, hoping to impress with his vast trivia on Bollywood.

We head back to his beloved taxi and drive over J J Flyover, zipping past Rani Bagh, Victoria Church, Palace Talkies and Motibai Reading Room. I absorb the altering landscape with alerts from the garrulous Ballu. “I slept here for 20 days when I was new in Mumbai, 12 years ago,” he reminisces about the Rajabai Clock Tower. Renting in the suburbs, this was my first intimate acquaintance with South Mumbai, in all its colonial splendour.

Ballu slows down at Chatrapati Shivaji Terminus and introduces me to his friend Rahim who runs the crowded Canon Bhaji Pav stall outside. Licking off the greasy plates, we speed off to the next pit stop. My cabbie’s affinity for storytelling shifts from Bollywood to the macabre. “This is Ajanta Talkies. An encounter took place at the exact spot we’re standing,” he says ominously, hoping to elicit a shudder.

While South Mumbai sprawls, Ballu’s meter hastens and we move to Khushrobaag, a famous Parsi temple. “I get my wife here a lot. She forgets we are Hindu sometimes,” he laughs. Since cinema-hall- hopping is his idea of getting to know Mumbai, he takes me to Minerva next. Driving past Mumbai’s biggest red light district, Kamathipura, Ballu accelerates with concern, “Don’t come here alone”.

He then declares the South Mumbai session complete and we head to the suburbs with little time to spare. Dadar throws up Maratha Mandir, and at Mahim, Ballu points to all the memorable kebab stalls, which feed teeming people who visit the mosque. A ‘townie’ at heart, Ballu has little to sermonise about the suburbs. Skipping Bandra, we halt at Juhu Garden, with a life-size airplane replica mid centre. “You must sit inside and dream that you’re flying,” he philosophises.

Halting at the final destination, also a theatre, Bombay Talkies in Malad, Ballu good naturedly presents a tab of Rs 1,000. He drives of with good tidings, singing Musafir hoon yaroon, na ghar hai na thikana. I ring home and announce, “Mom, I dared.”

Now five days a week, a shared cab takes me down to town each day. Strangers fill the inch space between each other and the touch doesn't feel alien anymore, but alike: Human. The small concave window overlooks the sea and there is that much distance between cramped and vast space. The sudden realisation then dawns as you sit next to new skins each day. There is openess here after all.

Leaky Cauldron

It's been a week of acitvity, fragments of insipid events stictched into a strectehd fabric of sequences. Some of it I wish I had dreamt. You know what they say about reality being stranger than fiction...I seem to be endorsing the metaphor lately.

It started with the dawn break of true-blue monday morning. (disclaimer: this might not read in one sequence, considering my fish-like memory often troubleshoots when too much happens). An enoying drip-drop woke me from my deep slumber in an alien bed. Too many bedrooms in too many days, I realised I hadnt let my back rest on my coir for over a week now. I missed the pokes of the familiar mattress. Tonight, must sleep at home. Right?Hustle out to work. Today's a date with Will Smith in town. Must reach on time. Fell out onto the street straight to colleague's loft. No deo, no hairbrush, luckily managed to find tooth counterpart, no milk (hope I make it through the day sans lactose and coffee. Sigh!). Run to the train station with a sudden realisation. No laptop. Too late to run home. (which with its overload of women, seemed unfamiliar) Borrowed Su's and caught the legend on screen, not before an escape run into rail authorities (no ticket. Right, must get renewed). Lets chant. Havent done for a month now. Works. Reach the legend in the hall. Coffee follows in barista and then off to work. On one of those bad-look days, I with Su make my TV debut. What follows is a half hour of posing as an offline addict on the Marine Drive. Overlooking the Arabian Sea, the brown mucked and oily haired me sat on my very fat day onto the promenade, gazing into the expanse with my laptop. I was the official wannabe. Right? just when I needed the realistaion that I have no LIFE!

Braving through the day, tuesday came and went in a flurry of action. Books, music, movies, phone calls, actors, impending realisation of non-existant love life, visiting a friends exhitbition, dinner. The usual. Met up with fave industry person. I call him the player and we exchanged a dinner. Some more dirty secrets shared and some glasses of lassi later, we were out of Papa Pancho. That night, I slept at home to the sounds of a leaky tap, spurting water.

Wednesday morning, there was a riot in the bathroom. The rusted geyser had broken into a fountain and for the next three nights, sleep eluded us. I woke between nightmares and pleasant dreams of a walk through Johnny Depp's blood spurting From Hell or the foaming stream of Niagra Falls. Scenes from Thr Ring and Dark Water filled me listlessly and I had offiicially been converted to a morning, daylight zombie. Finally I was getting better at the Zombie fights on Facebook. Bite chump! bite! bite! bite!

Finally met up with Vicky Mama and Mutki Bhaiya for dinner. Two sides of the family caught up and we shared nostalgia over dal, keema and phulkas. In those few hours, faith reaffirmed. Blood is thicker than water and beneath it all we all are lonely megalomaniacs. But the best compliment was yet to come. And the same was in the form of a gesture from a TV production house. The big ass films (I'll stick to the name. No need to hurt the sentiments of the real people involved). In those pancakes of face grease paint, vermillion, over decked garb...I read out the part of a vamp finishing with the summation, "I can't take no for an answer."

Sleepy sunday has me tucked in. Maybe a round of Sex and the City. The geyser has been fixed and all taps replaced by the efficient local plumber, Jaya Ram, whose Mumbaiya held me in wonder (still acquainting self to the spilling lingo). Except for when I sit here, I peek into the kitchen, where a drip-drop threatens to erupt from the water canister. Another week?

Temptations

What does one really do in a state of surreptious drukeness. Fight battles endearing to Ego vs Soul (somehwat like Alien vs Predator. No winner). But composed on a yo-ho-ho Bottle of Rum (old monk please!) over candlelight and Beatles...ergo!

Saturday Night?
No someday right.
Losing Heat?
No losing feat.
Mirror crackling smile?
No scary look, senile.
Washboard abs and together bosom?
No a scene from Floppy, the Sodden Mom.
Roaring Sex life - love, romance, wine, candles
No aphrodesiac nights over plunered waddles.
Casablance?
No a Fish called Wanda?.
Lovely?
No Lonely
Freud?
Yes Freud.
Ha! I win. We agree to the master
The grandmaster of frustrated potency...we do?

Free Fallin'

It's finally time to rant. The gifts of an overactive life have slipped in the demon I went to sleep at nights with, laziness. But free wheelin ghosts seldom rest and there is finally steam flowing from the backburner. The cheer is back and so is the Holiday season. After the lights and crackers burnt out the candles through my first moonless night away from mama's nest. The frost-less winter of Mumbai will give me my first jingles through the grapevine of red, green and mistletoes. It's good to be back and scribbling again!

Spilling Margharittas

Splish, splash the punch goes
Bloody red stains in the botton of the glasss
Cynics yell when the olive dances
Couldn't tell why the stirrer shook out the grime
The bittersweet misery swallowed in whole
The feet began to talk a language of their own
There's only so much one can say or do
When the glass tips over and you say, 'Cheers to you.'
It's a toast to the lines in between
Pack a punch, it hits where it hurts the most
It’s never a blast,
The coyote ugly cocktail of words